Representing Classical Music Listening Practices In Modern Literature And Cinema / Representing[...]

Organisation/Company: Université de Pau et des Pays de l'Adour

Research Field: Psychological sciences » Psychology

Researcher Profile: Recognised Researcher (R2), Leading Researcher (R4), First Stage Researcher (R1), Established Researcher (R3)

Country: France

Application Deadline: 14 Jan 2025 - 22:00 (UTC)

Type of Contract: Temporary

Job Status: Full-time

Is the job funded through the EU Research Framework Programme? Not funded by a EU programme

Is the Job related to staff position within a Research Infrastructure? No

Offer Description
Classical music (or what may be more widely defined as "western learned music") is a major part of Europe's cultural heritage. It includes the traditional concert or opera performance, which mainly is a 19th-century legacy. Ways of listening to music have changed over the last decades (from the triumphant CD's advent to the era of streaming platforms and YouTube), and so has sometimes the rite of classical concerts itself. Contemporary literature and cinema reflect that evolution, associating values and meanings with those different modes of enjoying or discovering European masterworks. By doing so, one can assume that they also (re)shape our image of classical music and concerts. These interactions between literary/cinematic representations of our modern listening practices and our conception of such a musical heritage can be apprehended in a large spectrum of works varying both in genres and languages.

Début de la thèse: 01/09/2025

WEB: https://research.univ-unita.eu/en/choral-project.html

Funding category: Programmes de l'Union Européenne de financement de la recherche (ERC, ERASMUS)

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